{"id":5603,"date":"2023-01-27T01:57:57","date_gmt":"2023-01-27T01:57:57","guid":{"rendered":"https:\/\/ampsmagazine.com\/?p=5603"},"modified":"2023-01-27T01:59:09","modified_gmt":"2023-01-27T01:59:09","slug":"black-panther-actress-angela-bassett-makes-marvel-history","status":"publish","type":"post","link":"https:\/\/ampsmagazine.com\/?p=5603","title":{"rendered":"Black Panther Actress, Angela Bassett, Makes Marvel History"},"content":{"rendered":"\n\n\n

\"\"<\/a>Angela Bassett was nominated for Best Actress in a Supporting Role.\u00a0 It is the first time any actor or actress has been nominated for the Marvel Universe Franchise.\u00a0 This is not her first time getting an award. This is only her 2nd time being nominated for an Academy Award. She was previously nominated for the 1993 Film “What’s Love Got to Do with It.” But this is an award she has not won before.\u00a0 Bassett has won several awards in her long running acting career. She has 2 Golden Globes, 1 Screen Actors Guild Award,\u00a0 3 Black Reel Awards, 13 Images Awards, 1 Critics’ Choice Movie and Super Award, 1 Saturn Award, to name a few.\u00a0 She has been getting\u00a0 nominated for these and various awards since 1993. In total, she has won 20 awards and nominated on 77 occasions.<\/p>\n

Oscar nominations were revealed and this was the list for 2023:<\/p>\n

\n
\n

ACTOR IN A LEADING ROLE<\/h2>\n<\/div>\n
\n

NOMINEES<\/h3>\n
\n
\n

AUSTIN BUTLER<\/h4>\n<\/div>\n
Elvis<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

COLIN FARRELL<\/h4>\n<\/div>\n
The Banshees of Inisherin<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

BRENDAN FRASER<\/h4>\n<\/div>\n
The Whale<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

PAUL MESCAL<\/h4>\n<\/div>\n
Aftersun<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

BILL NIGHY<\/h4>\n<\/div>\n
Living<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n

ACTOR IN A SUPPORTING ROLE<\/h2>\n<\/div>\n
\n

NOMINEES<\/h3>\n
\n
\n

BRENDAN GLEESON<\/h4>\n<\/div>\n
The Banshees of Inisherin<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

BRIAN TYREE HENRY<\/h4>\n<\/div>\n
Causeway<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

JUDD HIRSCH<\/h4>\n<\/div>\n
The Fabelmans<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

BARRY KEOGHAN<\/h4>\n<\/div>\n
The Banshees of Inisherin<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

KE HUY QUAN<\/h4>\n<\/div>\n
Everything Everywhere All at Once<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n

ACTRESS IN A LEADING ROLE<\/h2>\n<\/div>\n
\n

NOMINEES<\/h3>\n
\n
\n

CATE BLANCHETT<\/h4>\n<\/div>\n
T\u00e1r<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

ANA DE ARMAS<\/h4>\n<\/div>\n
Blonde<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

ANDREA RISEBOROUGH<\/h4>\n<\/div>\n
To Leslie<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

MICHELLE WILLIAMS<\/h4>\n<\/div>\n
The Fabelmans<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

MICHELLE YEOH<\/h4>\n<\/div>\n
Everything Everywhere All at Once<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n

ACTRESS IN A SUPPORTING ROLE<\/h2>\n<\/div>\n
\n

NOMINEES<\/h3>\n
\n
\n

ANGELA BASSETT<\/span><\/h4>\n<\/div>\n
Black Panther: Wakanda Forever<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

HONG CHAU<\/h4>\n<\/div>\n
The Whale<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

KERRY CONDON<\/h4>\n<\/div>\n
The Banshees of Inisherin<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

JAMIE LEE CURTIS<\/h4>\n<\/div>\n
Everything Everywhere All at Once<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

STEPHANIE HSU<\/h4>\n<\/div>\n
Everything Everywhere All at Once<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n

ANIMATED FEATURE FILM<\/h2>\n<\/div>\n
\n

NOMINEES<\/h3>\n
\n
\n

GUILLERMO DEL TORO’S PINOCCHIO<\/h4>\n<\/div>\n
Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

MARCEL THE SHELL WITH SHOES ON<\/h4>\n<\/div>\n
Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

PUSS IN BOOTS: THE LAST WISH<\/h4>\n<\/div>\n
Joel Crawford and Mark Swift<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

THE SEA BEAST<\/h4>\n<\/div>\n
Chris Williams and Jed Schlanger<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

TURNING RED<\/h4>\n<\/div>\n
Domee Shi and Lindsey Collins<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n

CINEMATOGRAPHY<\/h2>\n<\/div>\n
\n

NOMINEES<\/h3>\n
\n
\n

ALL QUIET ON THE WESTERN FRONT<\/h4>\n<\/div>\n
James Friend<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

BARDO, FALSE CHRONICLE OF A HANDFUL OF TRUTHS<\/h4>\n<\/div>\n
Darius Khondji<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

ELVIS<\/h4>\n<\/div>\n
Mandy Walker<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

EMPIRE OF LIGHT<\/h4>\n<\/div>\n
Roger Deakins<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

T\u00c1R<\/h4>\n<\/div>\n
Florian Hoffmeister<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n

COSTUME DESIGN<\/h2>\n<\/div>\n
\n

NOMINEES<\/h3>\n
\n
\n

BABYLON<\/h4>\n<\/div>\n
Mary Zophres<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

BLACK PANTHER: WAKANDA FOREVER<\/h4>\n<\/div>\n
Ruth Carter<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

ELVIS<\/h4>\n<\/div>\n
Catherine Martin<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

EVERYTHING EVERYWHERE ALL AT ONCE<\/h4>\n<\/div>\n
Shirley Kurata<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

MRS. HARRIS GOES TO PARIS<\/h4>\n<\/div>\n
Jenny Beavan<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n

DIRECTING<\/h2>\n<\/div>\n
\n

NOMINEES<\/h3>\n
\n
\n

THE BANSHEES OF INISHERIN<\/h4>\n<\/div>\n
Martin McDonagh<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

EVERYTHING EVERYWHERE ALL AT ONCE<\/h4>\n<\/div>\n
Daniel Kwan and Daniel Scheinert<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

THE FABELMANS<\/h4>\n<\/div>\n
Steven Spielberg<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

T\u00c1R<\/h4>\n<\/div>\n
Todd Field<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

TRIANGLE OF SADNESS<\/h4>\n<\/div>\n
Ruben \u00d6stlund<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n

DOCUMENTARY FEATURE FILM<\/h2>\n<\/div>\n
\n

NOMINEES<\/h3>\n
\n
\n

ALL THAT BREATHES<\/h4>\n<\/div>\n
Shaunak Sen, Aman Mann and Teddy Leifer<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

ALL THE BEAUTY AND THE BLOODSHED<\/h4>\n<\/div>\n
Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

FIRE OF LOVE<\/h4>\n<\/div>\n
Sara Dosa, Shane Boris and Ina Fichman<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

A HOUSE MADE OF SPLINTERS<\/h4>\n<\/div>\n
Simon Lereng Wilmont and Monica Hellstr\u00f6m<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

NAVALNY<\/h4>\n<\/div>\n
Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n

DOCUMENTARY SHORT FILM<\/h2>\n<\/div>\n
\n

NOMINEES<\/h3>\n
\n
\n

THE ELEPHANT WHISPERERS<\/h4>\n<\/div>\n
Kartiki Gonsalves and Guneet Monga<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

HAULOUT<\/h4>\n<\/div>\n
Evgenia Arbugaeva and Maxim Arbugaev<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

HOW DO YOU MEASURE A YEAR?<\/h4>\n<\/div>\n
Jay Rosenblatt<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

THE MARTHA MITCHELL EFFECT<\/h4>\n<\/div>\n
Anne Alvergue and Beth Levison<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

STRANGER AT THE GATE<\/h4>\n<\/div>\n
Joshua Seftel and Conall Jones<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n

FILM EDITING<\/h2>\n<\/div>\n
\n

NOMINEES<\/h3>\n
\n
\n

THE BANSHEES OF INISHERIN<\/h4>\n<\/div>\n
Mikkel E.G. Nielsen<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

ELVIS<\/h4>\n<\/div>\n
Matt Villa and Jonathan Redmond<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

EVERYTHING EVERYWHERE ALL AT ONCE<\/h4>\n<\/div>\n
Paul Rogers<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

T\u00c1R<\/h4>\n<\/div>\n
Monika Willi<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

TOP GUN: MAVERICK<\/h4>\n<\/div>\n
Eddie Hamilton<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n

INTERNATIONAL FEATURE FILM<\/h2>\n<\/div>\n
\n

NOMINEES<\/h3>\n
\n
\n

ALL QUIET ON THE WESTERN FRONT<\/h4>\n<\/div>\n
Germany<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

ARGENTINA, 1985<\/h4>\n<\/div>\n
Argentina<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

CLOSE<\/h4>\n<\/div>\n
Belgium<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

EO<\/h4>\n<\/div>\n
Poland<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

THE QUIET GIRL<\/h4>\n<\/div>\n
Ireland<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n

MAKEUP AND HAIRSTYLING<\/h2>\n<\/div>\n
\n

NOMINEES<\/h3>\n
\n
\n

ALL QUIET ON THE WESTERN FRONT<\/h4>\n<\/div>\n
Heike Merker and Linda Eisenhamerov\u00e1<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

THE BATMAN<\/h4>\n<\/div>\n
Naomi Donne, Mike Marino and Mike Fontaine<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

BLACK PANTHER: WAKANDA FOREVER<\/h4>\n<\/div>\n
Camille Friend and Joel Harlow<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

ELVIS<\/h4>\n<\/div>\n
Mark Coulier, Jason Baird and Aldo Signoretti<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

THE WHALE<\/h4>\n<\/div>\n
Adrien Morot, Judy Chin and Anne Marie Bradley<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n

MUSIC (ORIGINAL SCORE)<\/h2>\n<\/div>\n
\n

NOMINEES<\/h3>\n
\n
\n

ALL QUIET ON THE WESTERN FRONT<\/h4>\n<\/div>\n
Volker Bertelmann<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

BABYLON<\/h4>\n<\/div>\n
Justin Hurwitz<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

THE BANSHEES OF INISHERIN<\/h4>\n<\/div>\n
Carter Burwell<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

EVERYTHING EVERYWHERE ALL AT ONCE<\/h4>\n<\/div>\n
Son Lux<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

THE FABELMANS<\/h4>\n<\/div>\n
John Williams<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n

MUSIC (ORIGINAL SONG)<\/h2>\n<\/div>\n
\n

NOMINEES<\/h3>\n
\n
\n

APPLAUSE<\/h4>\n<\/div>\n
from Tell It like a Woman; Music and Lyric by Diane Warren<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

HOLD MY HAND<\/h4>\n<\/div>\n
from Top Gun: Maverick; Music and Lyric by Lady Gaga and BloodPop<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

LIFT ME UP<\/h4>\n<\/div>\n
from Black Panther: Wakanda Forever; Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

NAATU NAATU<\/h4>\n<\/div>\n
from RRR; Music by M.M. Keeravaani; Lyric by Chandrabose<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

THIS IS A LIFE<\/h4>\n<\/div>\n
from Everything Everywhere All at Once; Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n

BEST PICTURE<\/h2>\n<\/div>\n
\n

NOMINEES<\/h3>\n
\n
\n

ALL QUIET ON THE WESTERN FRONT<\/h4>\n<\/div>\n
Malte Grunert, Producer<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

AVATAR: THE WAY OF WATER<\/h4>\n<\/div>\n
James Cameron and Jon Landau, Producers<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

THE BANSHEES OF INISHERIN<\/h4>\n<\/div>\n
Graham Broadbent, Pete Czernin and Martin McDonagh, Producers<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

ELVIS<\/h4>\n<\/div>\n
Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

EVERYTHING EVERYWHERE ALL AT ONCE<\/h4>\n<\/div>\n
Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

THE FABELMANS<\/h4>\n<\/div>\n
Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

T\u00c1R<\/h4>\n<\/div>\n
Todd Field, Alexandra Milchan and Scott Lambert, Producers<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

TOP GUN: MAVERICK<\/h4>\n<\/div>\n
Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

TRIANGLE OF SADNESS<\/h4>\n<\/div>\n
Erik Hemmendorff and Philippe Bober, Producers<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

WOMEN TALKING<\/h4>\n<\/div>\n
Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n

PRODUCTION DESIGN<\/h2>\n<\/div>\n
\n

NOMINEES<\/h3>\n
\n
\n

ALL QUIET ON THE WESTERN FRONT<\/h4>\n<\/div>\n
Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

AVATAR: THE WAY OF WATER<\/h4>\n<\/div>\n
Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

BABYLON<\/h4>\n<\/div>\n
Production Design: Florencia Martin; Set Decoration: Anthony Carlino<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

ELVIS<\/h4>\n<\/div>\n
Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

THE FABELMANS<\/h4>\n<\/div>\n
Production Design: Rick Carter; Set Decoration: Karen O’Hara<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n

SHORT FILM (ANIMATED)<\/h2>\n<\/div>\n
\n

NOMINEES<\/h3>\n
\n
\n

THE BOY, THE MOLE, THE FOX AND THE HORSE<\/h4>\n<\/div>\n
Charlie Mackesy and Matthew Freud<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

THE FLYING SAILOR<\/h4>\n<\/div>\n
Amanda Forbis and Wendy Tilby<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

ICE MERCHANTS<\/h4>\n<\/div>\n
Jo\u00e3o Gonzalez and Bruno Caetano<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

MY YEAR OF DICKS<\/h4>\n<\/div>\n
Sara Gunnarsd\u00f3ttir and Pamela Ribon<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

AN OSTRICH TOLD ME THE WORLD IS FAKE AND I THINK I BELIEVE IT<\/h4>\n<\/div>\n
Lachlan Pendragon<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n

SHORT FILM (LIVE ACTION)<\/h2>\n<\/div>\n
\n

NOMINEES<\/h3>\n
\n
\n

AN IRISH GOODBYE<\/h4>\n<\/div>\n
Tom Berkeley and Ross White<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

IVALU<\/h4>\n<\/div>\n
Anders Walter and Rebecca Pruzan<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

LE PUPILLE<\/h4>\n<\/div>\n
Alice Rohrwacher and Alfonso Cuar\u00f3n<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

NIGHT RIDE<\/h4>\n<\/div>\n
Eirik Tveiten and Gaute Lid Larssen<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

THE RED SUITCASE<\/h4>\n<\/div>\n
Cyrus Neshvad<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n

SOUND<\/h2>\n<\/div>\n
\n

NOMINEES<\/h3>\n
\n
\n

ALL QUIET ON THE WESTERN FRONT<\/h4>\n<\/div>\n
Viktor Pr\u00e1\u0161il, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

AVATAR: THE WAY OF WATER<\/h4>\n<\/div>\n
Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

THE BATMAN<\/h4>\n<\/div>\n
Stuart Wilson, William Files, Douglas Murray and Andy Nelson<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

ELVIS<\/h4>\n<\/div>\n
David Lee, Wayne Pashley, Andy Nelson and Michael Keller<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

TOP GUN: MAVERICK<\/h4>\n<\/div>\n
Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n

VISUAL EFFECTS<\/h2>\n<\/div>\n
\n

NOMINEES<\/h3>\n
\n
\n

ALL QUIET ON THE WESTERN FRONT<\/h4>\n<\/div>\n
Frank Petzold, Viktor M\u00fcller, Markus Frank and Kamil Jafar<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

AVATAR: THE WAY OF WATER<\/h4>\n<\/div>\n
Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

THE BATMAN<\/h4>\n<\/div>\n
Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

BLACK PANTHER: WAKANDA FOREVER<\/h4>\n<\/div>\n
Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

TOP GUN: MAVERICK<\/h4>\n<\/div>\n
Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n

WRITING (ADAPTED SCREENPLAY)<\/h2>\n<\/div>\n
\n

NOMINEES<\/h3>\n
\n
\n

ALL QUIET ON THE WESTERN FRONT<\/h4>\n<\/div>\n
Screenplay – Edward Berger, Lesley Paterson & Ian Stokell<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

GLASS ONION: A KNIVES OUT MYSTERY<\/h4>\n<\/div>\n
Written by Rian Johnson<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

LIVING<\/h4>\n<\/div>\n
Written by Kazuo Ishiguro<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

TOP GUN: MAVERICK<\/h4>\n<\/div>\n
Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

WOMEN TALKING<\/h4>\n<\/div>\n
Screenplay by Sarah Polley<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n

WRITING (ORIGINAL SCREENPLAY)<\/h2>\n<\/div>\n
\n

NOMINEES<\/h3>\n
\n
\n

THE BANSHEES OF INISHERIN<\/h4>\n<\/div>\n
Written by Martin McDonagh<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

EVERYTHING EVERYWHERE ALL AT ONCE<\/h4>\n<\/div>\n
Written by Daniel Kwan & Daniel Scheinert<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

THE FABELMANS<\/h4>\n<\/div>\n
Written by Steven Spielberg & Tony Kushner<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

T\u00c1R<\/h4>\n<\/div>\n
Written by Todd Field<\/span><\/div>\n
\u00a0<\/div>\n<\/div>\n
\n
\n

TRIANGLE OF SADNESS<\/h4>\n<\/div>\n
Written by Ruben \u00d6stlund<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Angela Bassett was nominated for Best Actress in a Supporting Role.\u00a0 It is the first time any actor or actress has been nominated for the Marvel Universe Franchise.\u00a0 This is not her first time getting an award. This is only her 2nd time being nominated for an Academy Award. She was previously nominated for the […]<\/p>\n","protected":false},"author":1,"featured_media":5604,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"tdm_status":"","tdm_grid_status":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[55,3],"tags":[],"class_list":{"0":"post-5603","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-education","8":"category-entertainment"},"aioseo_notices":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/ampsmagazine.com\/wp-content\/uploads\/2023\/01\/Angela-Bassett-03.jpg?fit=1920%2C1080&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/ampsmagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/5603","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ampsmagazine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ampsmagazine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ampsmagazine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ampsmagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5603"}],"version-history":[{"count":0,"href":"https:\/\/ampsmagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/5603\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ampsmagazine.com\/index.php?rest_route=\/wp\/v2\/media\/5604"}],"wp:attachment":[{"href":"https:\/\/ampsmagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5603"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ampsmagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5603"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ampsmagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5603"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}